Essay: "Future Imperfect: Critical Propositions and Institutional Realities in the Middle East" (December, 2016) Foreword: Qalandiya International Catalogue, This Sea is Mine, 6 October 2016 Contingency, Dissonance and Performativity: Critical Archives and Knowledge Production in Contemporary Art Ibraaz Platform 010 Launch Art and Politics Now For the Common Good? Artistic Practices and Civil Society in Tunisia The Legacy of the War on Terror | Tate Etc. Summer 2015 Exemplary subjects: Camps and the politics of representation* Archival Dissonance: Ibraaz Platform 006 Editorial For the Common Good: Artistic Practices, Collective Action and Civil Society in Tunisia Common Grounds: Artistic Practices, Civil Society, and Secular Determination in Tunisia Today Where to Now: Chkoun Ahna at the National Museum of Carthage, Tunis Beyond the Former Middle East: Aesthetics, Civil Society, and the Politics of Representation Camps (or the Precarious Logic of Late Modernity) Children of the Revolution: Contemporary Iranian Photography An Ethics of Engagement: Collaborative Art Practices and the Return of the Ethnographer At the Limits of the Image: Torture and its Re-Presentation in Popular Culture What Was Lost: Manifesta 7 and the Soul of Modernity Towards a Politics of (Relational) Aesthetics Yto Barrada A Life Full of Holes: The Strait Project Miniatures Critical Imperatives: Notes on Contemporary Art Criticism and African Cultural Production Curating Africa: ‘Africa Remix’ and the Categorical Dilemma Grub For Sharks: A Concession for the Negro Populace The Spectacular Difference of Documenta XI Sort By NoneDate
