Anthony Downey is an academic, editor, and writer. His research, publications, and teaching focus on the politics of global contemporary art practices; human rights, bio-politics and migration; new media, collaborative and participative art practices; and contemporary cultural production in the Maghreb, the Middle East and Global South.
Anthony is Professor of Visual Culture in the Middle East and North Africa within the Faculty of Arts, Design and Media at Birmingham City University. He is the Founding Editor and Editor-in-Chief of Ibraaz (2010-present); Editor of the book series Visual Culture in the Middle East, (Sternberg Press); and sits on Editorial Board of Third Text. Since 2012, he has been a Consulting Editor for the Open Arts Journal (Open University, England). Anthony also sits on the Executive Board of Directors of the Kamel Lazaar Foundation (2010-present), and is a Trustee of Strange Cargo (2013-present), Arts Cabinet (2015-present), and the Maryam and Edward Eisler Foundation (2012-present). He holds a PhD from Goldsmiths College, awarded in 2006.
Recent and upcoming publications include Don’t Shrink Me to the Size of a Bullet: The Works of Hiwa K (Walther König Books, 2017); The Matter of Critique, in partnership with Renzo Martens and the Institute of Human Activities (Third Text, forthcoming, 2018); Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East (Sternberg Press, 2016); Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (I.B. Tauris, 2015); Art and Politics Now (Thames and Hudson, 2014); Uncommon Grounds: New Media and Critical Practice in North Africa and the Middle East (I.B. Tauris, 2014); Slavs and Tatars: Mirrors for Princes (JRP Ringier, 2015); and The Future of a Promise: Contemporary Art from the Arab World (Ibraaz Publishing, 2011). He is currently researching Zones of Indistinction: Contemporary Visual Culture and the Cultural Logic of Late-Modernity (forthcoming, Sternberg Press, 2018).
Anthony supervises PhD students with research interests in contemporary art and the politics of cultural production in the Maghreb, the Middle East and Global South; neoliberalism, human rights, bio-politics, and migration in contemporary art practices; and new media, performativity and civil society in the Middle East.
For further information, see http://www.bcu.ac.uk/art/about-us/our-expertise/our-staff/anthony-downey