For the Common Good? Artistic Practices and Civil Society in Tunisia
5 September 2014
In 2010, the Iraqi artist Wafaa Bilal had a camera surgically inserted into the back of his head. The process involved implanting a titanium plate onto which a camera was mounted and, from the outset, his body rebelled against this foreign object by cutting of blood supply to the area. Through his own unwavering commitment, Bilal persisted with the project and for one year used the embedded camera to record one image per minute of his daily life. The results, covering a period dating from December 14, 2010, to December 18, 2011, or 369 days in total, were streamed live to a global audience via a dedicated website.¹ Presenting acute angles and unexpectedly vertiginous views, the images look arbitrary, distant, lopsided and yet disconcertingly intimate.
Read the full introduction and essay.
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