2024/01/01. Essay: Algorithmic Predictions and Pre-emptive Violence, Journal of Digital War 2023/31/08 Publication: Neocolonial Visions: Algorithmic Violence and Unmanned Aerial Systems 2023/31/05 Essay: Mnemotechnics: Digital Epistemologies and the Techno-Politics of Archiving a Revolution 2023/15/03 Talk: (with Maya Indira Ganesh): Neo-colonial Visions: Artificial Intelligence and Epistemic Violence 2023/02/02 Talk: (with Alaa Mansour and Lesia Kulchynska): How an Image Matters, Transmediale (Berlin) 2022/06/02 Essay: “The Algorithmic Apparatus of Neocolonialism: Counter-Operational Practices and the Future Of Aerial Surveillance” 2022/06/02 Book: Shona Illingworth: Topologies of Air (Ed. Anthony Downey, Sternberg Press, 2022) 2022/08/04 Book: Khalil Rabah: Falling Forward / Works (1995–2025) 2023/06/03: Keynote: Decolonising Machine Vision, Aksioma (Ljubljana) 2022/05/01: Curated Show: When I See The Future, I Close My Eyes: Chapter II (Zilberman Gallery, Berlin). 2022/02/02: New Journal: Memory, Mind and Media (Cambridge University Press) 2021/07/02: Essay: The Algorithmic Apparatus of Neocolonialism, The Nordic Journal of Aesthetics, Vol.30, No. 61-62 2021/06/06: The Future of Protest (Images) in a Post-Digital Age 2021/07/04: EssayPerformative Research and Techno-Aesthetics, in Heba Y Amin: The General’s Stork (Sternberg, 2020) 2022/05/02: Essay: "Calculating Skies", MIT Press Reader, April 2022 2023/21/02 Article: Topologies of Air and the Airspace Tribunal 2021/09/23: The Future of Death. Algorithmic Anxieties and Programmable Destruction 2020/04/11: Launch of the Journal of Digital War (Palgrave/ Macmillan) 2020/07/10: Book Publication: Heba Y. Amin: The General’s Stork (Sternberg Press, 2020) 2020/01/10: Curated Show: Heba Y. Amin: When I see the future, I close my eyes, Mosaic Rooms, London. Essay: ‘”Where Is The Knowledge We Have Lost in Information”: Speculative Research and Digital Methodologies’ (Sternberg Press, 2020) 2020/02/20: Algorithmic Anxieties: Trevor Paglen in conversation with Anthony Downey, Digital War, Vol. 1, No. 1. 2019/15/11: Book Launch: Research/Practice 03: Larissa Sansour: Heirloom, Copenhagen Contemporary, December 12, 2019 2019/10/30: Book Publication: Research/Practice 01: Michael Rakowitz: I'm good at love, I'm good at hate, it's in between I freeze (Sternberg Press: Berlin and New York, 2019) 2019/10/30: Book Publication: Research/Practice 03: Larissa Sansour Heirloom (Sternberg Press: Berlin and New York, 2019) 2019/10/23: Book Publication: Critique in Practice: Renzo Martens’ Episode III: Enjoy Poverty (Sternberg Press, 2020) 2019/09/30: Public Talk: "Performing Rights", Institute for Global Prosperity, UCL, London, 14 November, 2019 2019/08/22: Public Talk: Trevor Paglen in conversation with Anthony Downey, Barbican Centre, London, 26 September, 2019 2019/05/10: New Book Series: Research/Practice, ed. Anthony Downey (Sternberg Press/MIT, 2019) 2019/04/10: Keynote: "The Future of the Networked Image: Digital Archives in a 'Post Truth' Age", IMMA Summer School, Dublin, June 11, 2019 Public Talk: "Performing Rights", TrAIN Open Lecture, UAL, London, April 24, 2019 Public Talk: "Applied Futures", The (Networked) Image in Conflict: Cultural Activism and Visual Culture, Modern Art Oxford, April 4, 2019 Conference Paper: "Conditions of Possibility", The Midlands Higher Education and Culture Forum, March 27, 2019 ‘The Politics of Shame: Ai Weiwei in conversation with Anthony Downey’, Large Glass Journal, Skopje, and Third Text, London, January, 2019 Interview: Mediating Social Media: Akram Zaatari in Conversation with Anthony Downey, Third Text, January, 2019 Keynote: Applied Futures: Digital Archives in a "Post Truth" Age, Archive Kabinett Berlin/Silent Green Kulturquartier, Berlin, January 26, 2019 Public Talk: Was I sleeping, while the others suffered: Contemporary Art, the Refugee Condition, and the Alibi of Engagement, ifa, Berlin, January 28, 2019 Keynote: The (Networked) Image in Conflict: Digital Archives and the Dilemma of Evidence, ICPT Conference, Nicosia, Nov 24, 2018 Public Talk: Akram Zaatari in conversation with Anthony Downey, New Art Exchange, July 14, 2018 Book Review: Future Imperfect, ed. by Anthony Downey, Third Text, April 2018. Catalogue Essay: "Transposing the Vernacular: Moving Images in the Work of Akram Zaatari" , 2018 Public Talk: "Unconformities: Joana Hadjithomas and Khalil Joreige in conversation with Anthony Downey", Acropolis Museum, Athens, April 30, 2018. Interview: "Vital Materialism: John Akomfrah in Conversation with Anthony Downey", Third Text, March, 2018. Public Lecture: “Performing Rights”, ThalieLab, Brussels, Belgium, 22 March, 2018. Jury Member, Beirut Art Residency (BAR), Beirut, February 24, 2018 Symposium: Anthony Downey in conversation with Edmund Clarke, IKON Gallery, Birmingham, February 12, 2018. Talk: “The Future of Image Production in the Middle East”, Nottingham Contemporary, February 13, 2018. Lecture: “Who Benefits from the Work of Art”, V-A-C Foundation, Moscow, January 20, 2018. Essay: "Where to Now? Imminent Impermanence in the Works of Sheela Gowda" (November, 2017) In Conversation: Ai Weiwei and Anthony Downey, FOMU, Antwerp, 25 October, 2017 Paper: “The Future of Image Production: Hermeneutic Suspicions and Neoliberal Conundrums”, Producing Image Activism after the Arab Uprisings Conference, University of Stockholm, 6-8 September 2017 Paper: "The Archive as Alibi", (W)archives Conference, University of Copenhagen, 21-22 August, 2017 Book Publication: Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K (Walter Koenig Books, August 2017), Documenta 14, Kassel Keynote Paper: “Performing Rights: The Subject of Injustice and the Cultural Logic of Late Modernity”, Art, Justice and Terrorism, Imperial War Museum, June 17, 2017 Keynote Paper: "Neoliberal Visions", Decolonizing the Cultural Institution, CCLPS Conference, SOAS, London, 16 June, 2017 Book Publication: Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East (Sternberg Press, 9 December, 2016) Essay: "Scopic Reflections: Incoming and the Technology of Exceptionalism" (February, 2017) Paper: Instrumental Visions: Neoliberalism, Institutions and Cultural Policy in the Middle East, Westminster University, 21 April, 2017 Book Publication: "Future Imperfect: Critical Propositions and Institutional Realities in the Middle East" (December, 2016) Interview with Anthony Downey, Di'van Journal, December, 2016 Book Launch: Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey, KW (Berlin), 31 May, and Documenta 14 (Kassel), 11 June, 2017 Chair: “Representing the Artist”, Survival of the Artist, a one-day symposium at the British Museum, 2 July, 2017 Talk: The Future of an Anachronism, Khalil Sakakini Cultural Centre, Ramallah, Palestine, 16 Nov 2016 John Akomfrah in Conversation with Anthony Downey, 16 January 2016 Larissa Sansour in Conversation with Anthony Downey, London, 6 July 2016 Keynote: Terrorism and Cultural Freedom Conference, Birmingham City University, 7 June 2016 Speaker: Qalandiya International Symposium, London, 29 October 2016 Interview with Anthony Downey (Qantara Journal, Paris), 20 July 2016 Interview with Anthony Downey by Daniel Lippitsch, 18 July 2016 Chair: “Magnum Photos Presents On Migration”, Barbican Centre, London, 14 June 2016 Foreword: Qalandiya International Catalogue, This Sea is Mine, 6 October 2016 Anthony Downey and Beatrix Ruf in Conversation with Slavs and Tatars, 11 March 2015 Book Launch: Future Imperfect at Delfina Foundation, 22 February, 2017 Event Horizon: Eric Baudelaire in conversation with Anthony Downey Edinburgh International Book Festival: Art on the Attack Istanbul Book Launch: Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East London Book Launch: Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East Contingency, Dissonance and Performativity: Critical Archives and Knowledge Production in Contemporary Art Performative Resonances: Hiwa K in conversation with Anthony Downey and Amal Khalaf JAOU Tunis 2015: Visual Culture In An Age Of Global Conflict Essay: Contingency, Dissonance and Performativity: Critical Archives and Knowledge Production in Contemporary Art Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East Essay: Exemplary subjects: Camps and the politics of representation* Book Launch: Mirrors for Princes: Both Sides of the Tongue, Slavs and Tatars Mirrors for Princes: Slavs and Tatars Art and Politics Now: Renzo Martens in conversation with Anthony Downey Art and Politics Now For the Common Good? Artistic Practices and Civil Society in Tunisia Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East The Legacy of the War on Terror | Tate Etc. Summer 2015 Oscar Guardiola-Rivera in conversation with Anthony Downey Okwui Enwezor in conversation with Anthony Downey Slavs and Tatars in conversation with Anthony Downey Re-Enacting Rupture: Lamia Joreige in conversation with Anthony Downey John Akomfrah in conversation with Anthony Downey Photography as Apparatus: Akram Zaatari in conversation with Anthony Downey Giorgio Agamben: Legal, Political and Philosophical Perspectives Ibraaz Platform 010 Launch Archival Dissonance: Ibraaz Platform 006 Editorial From Invisible Enemy to Enemy Kitchen: Michael Rakowitz in conversation with Anthony Downey For the Common Good: Artistic Practices, Collective Action and Civil Society in Tunisia Stereotyping the Stereotypes: Tarek Al-Ghoussein in conversation with Anthony Downey The Video That Exploded: Roy Samaha in conversation with Anthony Downey Common Grounds: Artistic Practices, Civil Society, and Secular Determination in Tunisia Today Art & Patronage: The Middle East An Accidental Orientalist: Tom Bogaert in conversation with Anthony Downey Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings Theory in Contemporary Art Since 1985 Where to Now: Chkoun Ahna at the National Museum of Carthage, Tunis Word Stress: Lawrence Abu Hamdan in conversation with Anthony Downey Home Workspace: Christine Tohme in conversation with Anthony Downey An Aesthetics of Expiration: Ziad Antar in Conversation with Anthony Downey Lost in Narration: Rabih Mroué in conversation with Anthony Downey Different Sames: New Perspectives in Contemporary Iranian Art In the Event of Death: Teresa Margolles and the Life of the Corpse Restaging the (Objective) Violence of Images: Reza Aramesh in conversation with Anthony Downey Curatorial Conundrums – Arab Representation at the 54th Venice Biennale: A roundtable discussion The Future of a Promise: Contemporary Art from the Arab World Beyond the Former Middle East: Aesthetics, Civil Society, and the Politics of Representation All That Fits Islam in its International Context: Comparative Perspectives Camps (or the Precarious Logic of Late Modernity) Geocentric Conundrums: Aesthetics and Ethics in Contemporary Art; Gemma Lloyd Interviews Anthony Downey Geocentric Conundrums: Aesthetics and Ethics in Contemporary Art Conspiracy Dwellings: Surveillance in Contemporary Art What You See and What You Get: The Symmetry of Death and Transformation in the Work of Not Vital Zu Giorgio Agamben: Das Nackte Leben Children of the Revolution: Contemporary Iranian Photography Art and Authenticity 127 Cuerpos: Teresa Margolles and the Aesthetics of Commemoration Inverted Modernities and Contested Traditions: Contemporary Iranian Visual Culture and (In)Authenticity An Ethics of Engagement: Collaborative Art Practices and the Return of the Ethnographer Cultural Theory Beyond Identity: Excessive Identities in the work of Three Contemporary African Artists At the Limits of the Image: Torture and its Re-Presentation in Popular Culture Zones of Indistinction: Giorgio Agamben's 'Bare Life' and the Politics of Aesthetics Yinka Shonibare, MBE What Was Lost: Manifesta 7 and the Soul of Modernity Belatedness All Over Again: The African Pavilion at the 52nd Venice Biennial Towards a Politics of (Relational) Aesthetics Yto Barrada A Life Full of Holes: The Strait Project Miniatures Painting as a Repository: The Remains of Our Days in the Paintings of Nigel Cook Critical Imperatives: Notes on Contemporary Art Criticism and African Cultural Production Yinka Shonibare in conversation with Anthony Downey Curating Africa: ‘Africa Remix’ and the Categorical Dilemma Grub For Sharks: A Concession for the Negro Populace Yinka Shonibare in Conversation The Spectacular Difference of Documenta XI Yinka Shonibare: Dorian Gray Sort By DateTitleLast ModifiedDateFilter - All20052006200720082009201020112012201320142015ArticlesBooksChaptersEssaysEventsInterviewsPublicationsReviewsUncategorized
Sort By DateTitleLast ModifiedDateFilter - All20052006200720082009201020112012201320142015ArticlesBooksChaptersEssaysEventsInterviewsPublicationsReviewsUncategorized
