In an era defined by a widespread suspicion with journalistic means as a way of generating both discussion and open enquiry, it would seem that artists are engaging with issues more commonly associated with journalistic discourse. Whilst this is not necessarily a complete departure from previous practices, the imbrication of both art and journalism has produced a different series of questions about the ethics and politics of representation. What, for one, are the implications of artworks employing the apparent objectivity associated with journalism? Does the use of an investigative methodology within contemporary art shift our understanding of spectatorship and our relationship to truth and forms of subjectivity? And what challenges—to the viewer and curator alike —are being made by these works in the broader context of current institutional and exhibitionary practices?
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Downey, Anthony, “All That Fits.” All That Fits: The Aesthetics of Journalism. Derby: Derby QUAD, 2011: 3.